Although no official records began to be known when the batik in Pekalongan, but according to estimates existing in Pekalongan batik around the year 1800. Even according to data recorded at the Ministry, batik was made 1802, like a small tree motif in the form of clothes.
But significant progress is expected to occur after a major war in 1825-1830 in the kingdom of Mataram which is often referred to as Java Diponegoro war or war. With the onset of this battle royal family and urged his followers were many who left the kingdom. They then spread towards the East and West. Later in the area - a new area that the family and followers develop batik.
To the east of Solo and Yogyakarta Batik batik patterns that have been perfected in Mojokerto and Tulungagung to spread to Gresik, Surabaya and Madura. Medium westward batik developed in Banyumas, Kebumen, Tegal, Cirebon and Pekalongan. With this migration, the batik Pekalongan that have been there before growing.
Over time, Batik Pekalongan experiencing rapid development compared to other regions. In this region batik evolved around the coastal areas, namely in Pekalongan city and regional areas Buaran, Pekajangan and Wonopringgo.
Museum Batik PekalonganPekalongan public encounter with the various nations such as China, Dutch, Arabic, Indian, Malay and Japanese in ancient times has colored the dynamics of color motifs and batik art.
In connection with the several types of batik motif result of the influence of various countries who came to be known as the identity of Pekalongan batik. The motive was, that is batik Jlamprang, inspired from Indian and Arab Affairs. Then batik Encim and Klengenan, influenced by the Peranakan Chinese. Dutch batik, batik Morning Afternoon, and batik Hokokai, grown rapidly since the Japanese occupation.
The development of print culture techniques using dye motifs cover the night (candles) on the fabric which is then called batik, is inseparable from the influence of those countries. This shows the context of the flexibility of batik from time to time.
Pekalongan batik is very unique because it relies entirely on hundreds of small entrepreneurs, rather than on a handful of large employers have capital. Since many decades ago until now, most of Pekalongan batik production process is done in homes. As a result, closely united with batik Pekalongan Pekalongan community life that is now divided into two administrative regions, namely Pekalongan Municipality and Regency of Pekalongan.
Pekalongan batik tidal development, showing Pekalongan eligible to become an icon for the development of batik in Indonesia. Icon for works of art that never gave up with the times and always dynamic. Now, batik has become a breath of everyday life Pekalongan residents and is one superior product. This is because many industries which produce batik. Because the product is known for his batik, known as the City of Pekalongan Batik. The nickname came from a long tradition rooted in Pekalongan. During that long period, various properties, the variety of uses, type design, as well as batik quality is determined by the climate and the presence of fibers of local, historical factors, trade and community readiness to accept and understand new ideas.
Batik is an art culture that admired the world, among the traditional varieties produced with dye technology hurdles, none of which can be present as beautiful and as smooth as batik Pekalongan.
But significant progress is expected to occur after a major war in 1825-1830 in the kingdom of Mataram which is often referred to as Java Diponegoro war or war. With the onset of this battle royal family and urged his followers were many who left the kingdom. They then spread towards the East and West. Later in the area - a new area that the family and followers develop batik.
To the east of Solo and Yogyakarta Batik batik patterns that have been perfected in Mojokerto and Tulungagung to spread to Gresik, Surabaya and Madura. Medium westward batik developed in Banyumas, Kebumen, Tegal, Cirebon and Pekalongan. With this migration, the batik Pekalongan that have been there before growing.
Over time, Batik Pekalongan experiencing rapid development compared to other regions. In this region batik evolved around the coastal areas, namely in Pekalongan city and regional areas Buaran, Pekajangan and Wonopringgo.
Museum Batik PekalonganPekalongan public encounter with the various nations such as China, Dutch, Arabic, Indian, Malay and Japanese in ancient times has colored the dynamics of color motifs and batik art.
In connection with the several types of batik motif result of the influence of various countries who came to be known as the identity of Pekalongan batik. The motive was, that is batik Jlamprang, inspired from Indian and Arab Affairs. Then batik Encim and Klengenan, influenced by the Peranakan Chinese. Dutch batik, batik Morning Afternoon, and batik Hokokai, grown rapidly since the Japanese occupation.
The development of print culture techniques using dye motifs cover the night (candles) on the fabric which is then called batik, is inseparable from the influence of those countries. This shows the context of the flexibility of batik from time to time.
Pekalongan batik is very unique because it relies entirely on hundreds of small entrepreneurs, rather than on a handful of large employers have capital. Since many decades ago until now, most of Pekalongan batik production process is done in homes. As a result, closely united with batik Pekalongan Pekalongan community life that is now divided into two administrative regions, namely Pekalongan Municipality and Regency of Pekalongan.
Pekalongan batik tidal development, showing Pekalongan eligible to become an icon for the development of batik in Indonesia. Icon for works of art that never gave up with the times and always dynamic. Now, batik has become a breath of everyday life Pekalongan residents and is one superior product. This is because many industries which produce batik. Because the product is known for his batik, known as the City of Pekalongan Batik. The nickname came from a long tradition rooted in Pekalongan. During that long period, various properties, the variety of uses, type design, as well as batik quality is determined by the climate and the presence of fibers of local, historical factors, trade and community readiness to accept and understand new ideas.
Batik is an art culture that admired the world, among the traditional varieties produced with dye technology hurdles, none of which can be present as beautiful and as smooth as batik Pekalongan.
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